‘Shipping Yard II’, (2025), 100cm x 100cm, acrylic on canvas, mixed media.
This painting is the second in the Shipping yard series. It started out as a bit of a daydream about industrial spaces—the kind that feel gritty and chaotic, but strangely beautiful too. I’ve always been fascinated by shipping yards: all that movement, the clatter of containers, and the towering shapes that almost look sculptural when you step back.
The Shipping Yard leans into that feeling of organised chaos. There’s a sense of weight and machinery here—blackened shapes, muted tones, hints of steel and concrete. But there are also these little pops of colour and unexpected forms, like moments of life pushing through all the metal and grime.
It’s a piece about structure, tension, and the strange poetry of workspaces. Hard-edged, but full of rhythm. You don’t need to have stood in one to feel it—you just need to let your eyes wander through the layers.
‘Shipping Yard II’, (2025), 100cm x 100cm, acrylic on canvas, mixed media.
This painting is the second in the Shipping yard series. It started out as a bit of a daydream about industrial spaces—the kind that feel gritty and chaotic, but strangely beautiful too. I’ve always been fascinated by shipping yards: all that movement, the clatter of containers, and the towering shapes that almost look sculptural when you step back.
The Shipping Yard leans into that feeling of organised chaos. There’s a sense of weight and machinery here—blackened shapes, muted tones, hints of steel and concrete. But there are also these little pops of colour and unexpected forms, like moments of life pushing through all the metal and grime.
It’s a piece about structure, tension, and the strange poetry of workspaces. Hard-edged, but full of rhythm. You don’t need to have stood in one to feel it—you just need to let your eyes wander through the layers.
