‘The Marina I' (2024), 51.8 x 61cm acrylic on canvas, graphite, oil sticks.
This piece is all about that in-between space—the quiet hum of boats rocking gently, the creak of rope, the smell of salt in the air. The Marina captures that slightly sun-bleached, always-moving feeling of a place where people gather but time seems to slow down.
There’s structure in here—like hulls and jetties and shadows under the dock—but also a looseness, like reflections dancing on water. You might spot hints of nets, sails, or peeling paint if your eye lingers long enough. It’s not a literal marina, but more of a memory of one. A feeling.
This is one of two works in the same vibe—both born from time spent watching boats come and go, and thinking about all the quiet stories they carry with them.
‘The Marina I' (2024), 51.8 x 61cm acrylic on canvas, graphite, oil sticks.
This piece is all about that in-between space—the quiet hum of boats rocking gently, the creak of rope, the smell of salt in the air. The Marina captures that slightly sun-bleached, always-moving feeling of a place where people gather but time seems to slow down.
There’s structure in here—like hulls and jetties and shadows under the dock—but also a looseness, like reflections dancing on water. You might spot hints of nets, sails, or peeling paint if your eye lingers long enough. It’s not a literal marina, but more of a memory of one. A feeling.
This is one of two works in the same vibe—both born from time spent watching boats come and go, and thinking about all the quiet stories they carry with them.
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