It’s not black and white’ (2026), 100 × 100cm acrylic on canvas, oil pastel.
Known for painting with bold, vibrant colour, I wanted to challenge myself by stripping the palette back to neutrals. At first glance, this work appears monochrome, but look a little closer and tiny flecks of colour begin to emerge—subtle reminders that nothing is ever simply black and white.
This painting explores the space between certainty and ambiguity, where even the calmest surfaces reveal unexpected layers. Sometimes the most restrained palette has the most to say
It’s not black and white’ (2026), 100 × 100cm acrylic on canvas, oil pastel.
Known for painting with bold, vibrant colour, I wanted to challenge myself by stripping the palette back to neutrals. At first glance, this work appears monochrome, but look a little closer and tiny flecks of colour begin to emerge—subtle reminders that nothing is ever simply black and white.
This painting explores the space between certainty and ambiguity, where even the calmest surfaces reveal unexpected layers. Sometimes the most restrained palette has the most to say
